IT IS ALL RIGHT HERE

IT IS ALL RIGHT HERE

Work with digitalyzation, decontext and recoding that plays with controlled randomness to relate processed found shots of footage and romantic novels based Artificial Intelligence generated poems that “occupies” the duration of the original Super8 film (250Mt/24fs) and permits the activation of codes and processes (among those control delegation, narrativity expectations and memory construction) within the viewer’s experience. The title refers to a AI verse and Snow’s words in Hollis Frampton’s Nostalgia.

Session Un Impulso Colectivo – Shorts 2

 

Catalan premiere
Eligible for: Premi del públic curt UIC

Teresa Sendagorta

Teresa Sendagorta

(Bilbao, 1967) She explores the limits of language and narrativity in fiction and non-fiction audio-visual works and is interested in the relationship between image, word, presence, time, memory, control and identity. In 2009 she founded the production company Chisgarabis Kino.

FILMOGRAPHY

It Is All Right Here (curt, 2018) Mothertongue (2016), La letra es tuya (curt, 2010), Ojalá (curt, 2004)

ANTHROPOCENE: THE HUMAN EPOCH

Jennifer Baichwal, Nicholas de Pencier i Edward Burtynsky

Documentary that follows the investigation of a group of scientists that investigates the profound changes caused by the passage of the human being on Earth.

LA CASA DE VERANO

Valeria Bruni Tedeschi

An exercise of self-fiction mark of the director, with a sardonic look at a bourgeois family very similar to that of the filmmaker herself.

COLD LANDS

Iratxe Fresneda

A melancholy journey, in a filmic essay that traverses frames and landscapes with the intention that the look is not lost in oblivion.