Synopsis
On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee’s possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire’s power at work.
Filmmaker
Hong Sang-soo
An essential name in contemporary cinema and a regular at major festivals, Sang-soo debuted in 1996 with The Day a Pig Fell into the Well and since then has written and directed more than twenty feature films. His cinema, with a simple appearance and a traditional spirit, exudes a humanism that has captivated audiences around the world and has led him to win, among others, the award for Best Direction in Locarno, Berlin and San Sebastián.
Filmography: In Water (2023), Walk Up (2022, D’A 2023), The Novelist's Film (2022), In Front of Your Face (2021, D'A 2022), Introduction (2021), The Woman Who Ran (2020, D'A 2021), Hotel by the River (2018, D'A 2019), Grass (2018, D'A 2019), The Day After (2017, D'A 2018), Claire's Camera (2017, D'A 2018), On the Beach at Night Alone (2017), Yourself and Yours (2016), Right Now, Wrong Then (2015, D'A 2016), Hill of Freedom (2014, D’A 2015), Our Sunhi (2013, D'A 2014), Nobody’s Daughter Haewon (2013), In Another Country (2012), The Day He Arrives (2011), List (short film, 2011), Oki’s Movie (2010, D’A 2011), Hahaha (2010), Visitors (co-directed, 2009), Like You Know It All (2009), Night and Day (2008), Woman on the Beach (2006), Tale of Cinema (2005), Woman is the Future of Man (2004), Turning Gate (2002), Virgin Stripped Bare by Her Bachelors (200
