This film tells the story of two nights. One night is not seen in images, existing only in the words of The Clock, by Minnelli, an old Hollywood film. The other night is seen in images we hardly know anything about, those of a woman who talks about the film. So, in fact there are two films, two stories that come together at the same time, getting closer, and moving away, merging with what they have in common: desire, night and the city.
Pablo García Canga
He graduated in Film Direction at La Fémis in Paris. He has directed several short films and has been a scriptwriter for films by filmmakers such as Gonzalo García Pelayo, Santos Díaz or Ángel Santos, among others. At the same time, he works as a programmer in Punto de Vista Film Festival, writes reviews for magazines such as Lumière, Détour, Foco or SoFilm, and has translated several books and has published one about Yasujirō Ozu.
Filmography: The Lands of Heaven (2023, D'A 2023), On the Empty Dancefloor (short film, 2022, D'A 2023), La nuit d'avant (short film, 2019, D'A 2020), De l'amitié (short film, 2018, D'A 2019), Cuando supo que estaba muerto (mid-length film, 2014), Retrato en dos tiempos (mid-length film, 2014), Pissing Territories (short film, 2012), Para Julia (mid-length film, 2004)