As soon as she gets to Montparnasse train station, things start to go wrong for Léna : she loses her son Anton, just misses her train and in her bag, the baby magpie that her daughter Augustine wanted to save is slowly dying. On arriving in Brittany, she discovers that her family are conspiring to do her ‘good’ and have invited her ex-husband, Nigel. She feels betrayed, humiliated and disgusted. Her limited self-confidence begins to evaporate. The ghosts of duty, social judge¬ment and family band together to prevent her from living, loving and thinking, from simply being herself. Should she leave or stay? Send everything packing?
He arrived in Paris in the 1990s, where he began working in cinema. After debuting with the short film Nous deux (2001), his feature films show him as a very personal creator, with a taste marked by a certain pop romanticism, and with an extraordinary ability to integrate his idols into his particular and very recognizable imaginary. D’A dedicated a retrospective to him in 2019.
Filmography: Guermantes (2021, D'A 2022), Habitación 212 (2019, D'A 2020), Vivir deprisa, amar despacio (2018, D’A 2019), Les malheurs de Sophie (2016), Métamorphoses (2014, D’A 2019), Les bien-aimés (2011, D’A 2012), Homme au bain (2010, D’A 2019), Non ma fille, tu n’iras pas danser (2009, D’A 2019), La belle personne (2008, D’A 2019), Les chansons d’amour (2007, D’A 2019), Dans Paris (2006, D’A 2019), Mi madre (2004, D’A 2019), 17 fois Cécile Cassard (2002, D’A 2019), Nous deux (short, 2001)