Agatha (74) and Leonidas (36) maintain an absorbing mother-son relationship: Agatha never fell in love again and Leonidas does not dare to build a life outside the doors of the family home. One day, Agatha suddenly wakes up in the body of a little girl: as herself, but with eight years old. The only possible solution after having cut off all ties with the outside world for fear of giving explanations, will be to call Elisa (38), Agatha’s eldest daughter, who despite having become independent a long time ago, will return to the family home to repair wounds that remain open.
Sol Berruezo Pichon-Rivière
She is a director and screenwriter, graduated in Film Direction in the Universidad del Cine. Mamá, mamá, mama is her first film, premiered at the Berlinale in 2020 in the Generation K Plus Competition, where it was awarded with the Special Mention of the Jury. At the beginning of 2021, with the support of Biennale College Cinema she shot her second film with her producer Laura Mara Tablón, Nuestros días más felices, premiered in La Biennale di Venezia.
Filmography: Nuestros días más felices (2021, D'A 2022), Mamá, mamá, mamá (2020, D'A 2021)