Two filmmakers, Catalan Meritxell Colell and Argentine Lucía Vassallo, start filming their day-to-day lives and thus establish a correspondence that keeps them in contact despite the distance. The result is a conversation in which the passage of time, cinema as a passion and way of life, and the difficulty of filming in these times become a beautiful cinematographic mosaic, an album of images, intense and moving.
Presented by Meritxell Colell
She has a degree in Cinematography from ENERC. Her debut as a director, La cárcel del fin del mundo, premiered at the Mar del Plata Film Festival, and her second film, the documentary Línea 137, premiered at the Havana Film Festival. She has recently finished the feature film Cadáver exquisito, winner of the INCAA debut film competition.
Filmography: Transoceánicas (codirigit, 2020), Línea 137 (2020), La cárcel del fin del mundo (2013)
Meritxell Colell Aparicio
She is a director and editor, with a degree in Audiovisual Communication from UPF. After shooting several shorts, she made her feature debut with Con el viento, premiered at the Berlinale and later in Malaga —where she received the main award in the Zonazine section— and at more than forty festivals. Her second feature, Transoceánicas, co-directed with Lucía Vassallo, was awarded in Gijón, among others, and Dúo repeated the award in Málaga with the Biznaga de Plata for best direction from Zonazine.
Filmography: Dúo (2022, D'A 2022), La ciutat a la vora (short, 2022, D'A 2022), Transoceánicas (codirected, 2020, D'A 2021), Con el viento (2017, D'A 2018), Arquitectures en silenci (short, 2014), Recordant Buenos Aires (short, 2007), Manuscrit a la ciutat (short, 2006), Barcelona, París, Barcelona (short, 2004), La creación (short, 2002)