Movies

BÊTES BLONDES

Alexia Walther, Maxime Matray

Between surreal romanticism and absurd comedy, one of the most surprising titles of the year, an eccentric adventure about mourning, desire and melancholy that explores new territories of queer cinema.

LA CARGA (TERET)

Ognjen Glavonic

The Serbian filmmaker delves into the most hidden and bloody wounds of the Balkan War with this dry and forceful political thriller.

COLD LANDS

Iratxe Fresneda

A melancholy journey, in a filmic essay that traverses frames and landscapes with the intention that the look is not lost in oblivion.

DIANE

Kent Jones

The director of Hitchcock / Truffaut debuts with a fiction film that, under the guise of traditional indie drama, offers one of the most exciting female portraits of the year. Attention to the interpretation of Mary Kay Place.

FAMILIA SUMERGIDA

María Alché

The winner of the Horizontes Latinos award in San Sebastian marks the debut in the direction of María Alché with a drama that explains the crisis of a middle-aged woman after the unexpected death of her sister.

THE HARVESTERS

Etienne Kallos

A beautiful coming of age and, at the same time, a sharp portrait of the idea of ​​masculinity in the South African culture. One of the most emotional debuts of the year.

JESUS

Hiroshi Okuyama

A film refers to the cinema of Yasujiro Ozu or Hirokazu Koreeda, starring a child facing a major life change. Guaranteed emotion.

LUCIÉRNAGAS

Bani Khoshnoudi

The filmmaker of Iranian origin is inspired by a real case that she read in the press to offer a reflection on the globalized situation of the exiles from an unusual LGTBI perspective.

NINA

Olga Chajdas

From Poland we get this opera prima starring a woman who falls in love with the girl he had chosen with her husband as surrogate mother. A totally fascinating movie.

LAS NIÑAS BIEN

Alejandra Márquez

A penetrating portrait of social decadence and the dictatorship of gender roles, winner of the Malaga Award for the best Ibero-American film.

OJOS NEGROS

Marta Lallana, Ivet Castelo (amb la col·laboració d'Iván Alarcón i Sandra García)

Paula, a 14 year old girl, has to spend the summer in the town of Ojos Negros with her aunt and her grandmother, whom she barely knows

SOPHIA ANTIPOLIS

Virgil Vernier

The director of Mercuriales traces with his new film analysis of the nowadays France through several confluent realities in the technological park of the title.